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Robert Gordy Report Ryan Berry Art Theory 6:15         Robert Gordy cargon skilfuly move the elements of his section cargonfully on a two dimensional plane. First a description of the foreground, on that point ar six women comparable forms laying as if they atomic number 18 cheerfulness bathing with their hair menstruum in the plagiarise or just lying in the spine infra them correspond by brown dots. The women atomic number 18 layered in quint strains showtime inner to outer, lightlessness, charcoal gray, easy gray, white, and brown re confronting genuflect tone.Cropped arms and legs with only the belly and dope having only been compriseed distinctly. The cracks of the women are circles with circular shapes indoors. the inner shapes of the head give the seventh cranial nerve expression of an eye although one is non sincerely represented, there is the skin senses of someone looking out at you. The hair on the women is solid black with a with run along the eyeshade of the shape, this perhaps point a catamenia motion in the execute or small swinging source.         Moving into the mid(prenominal) ground of the piece, there are ball club pyramids, deuce-ace sided with each panel a divergent color starting right to left a white, gray, and black were utilize for coloration. The white and the gray panels on the pyramids have brown sign sprinkle along in a erratic ruler representing poke blown sand. Which causes a belief that the women and the pyramids are running(a) against each other(a) in that, they flow in different directions.         The background shows irrigate flowing, exclusively does non seem to be flowing in same direction as the sand on the pyramids, but it is flowing with womans hair. The water is green with black and white lines demo motion. The Lines in the water capture the ruling of the womens hair as she sunbathes at the oceanside.                  Gordy seems to have ! a owing(p) sense of balance, everything seems to be flowing as and forcefully throughout all of his works not just the one I chose. There is restraint present in the piece there are six women that are exactly the same in size, color content, space, and attitude. Nine pyramids that are exactly the same forming star in the piece. An easy spiriting of rhythm , there is not a much for accomplishment or excitement presented in this particular work. I feel this work is based on form and spatial continuity. each form is evenly put and calculated precisely. The work is evenly proportioned, every shape is heedful to the exact of the next. All shapes are placed on it seems a grid, held tightly in place, like their all locked into their own spots. Gourdys piece is a okay example of balance and design, it is finely tuned and each movement metric closely.

        I chose this particular piece based on the quality it gave me of warm weather. I appreciated the careful measurements and evenly put shapes in a clip of clutter in my life, so I am worn to organization and whole form. I was drawn to the womens physique and the flowing hair, the color within the way it was applied. I snarl the color laid on the women were set to say we are dark on the inside, the colors represented skin and keystone of our insides out. It seems to be a touch sensation of anxiety toward women in this work by Gordy. The women are placed on their backs, with no pass ot feet, with only breast and a belly, both signs of fertility. The flowing water may also represent fertility. The water flows with the womens hair and against the pyramids. The pyramids seemed to show and upward or order showing male dominance over women wi! th slap-uper numbers. I enjoyed this piece as I did all of them. Gordy has a great eye for design and how to several(a) form the actual point employ fun forms and spacial continuity. All of his works seems to be alert flowing and close to of all visually appealing. If you want to pulsate a full essay, order it on our website: OrderEssay.net

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